BEHOLD her, single in the field, | ||||
Yon solitary Highland Lass! | ||||
Reaping and singing by herself; | ||||
Stop here, or gently pass! | ||||
Alone she cuts and binds the grain, | 5 | |||
And sings a melancholy strain; | ||||
O listen! for the Vale profound | ||||
Is overflowing with the sound. | ||||
No Nightingale did ever chaunt | ||||
More welcome notes to weary bands | 10 | |||
Of travellers in some shady haunt, | ||||
Among Arabian sands: | ||||
A voice so thrilling ne'er was heard | ||||
In spring-time from the Cuckoo-bird, | ||||
Breaking the silence of the seas | 15 | |||
Among the farthest Hebrides. | ||||
Will no one tell me what she sings?— | ||||
Perhaps the plaintive numbers flow | ||||
For old, unhappy, far-off things, | ||||
And battles long ago: | 20 | |||
Or is it some more humble lay, | ||||
Familiar matter of to-day? | ||||
Some natural sorrow, loss, or pain, | ||||
That has been, and may be again? | ||||
Whate'er the theme, the Maiden sang | 25 | |||
As if her song could have no ending; | ||||
I saw her singing at her work, | ||||
And o'er the sickle bending;— | ||||
I listen'd, motionless and still; | ||||
And, as I mounted up the hill, | 30 | |||
The music in my heart I bore, | ||||
Long after it was heard no more. |
Gameplaying in a Multi-Agent Environment (2): Exploration vs Exploitation
-
Most automatic game playing involves some sort of algorithm or model that
can manage and use limited resources to attain the goal of the game without
human...
3 years ago
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